Showing posts with label angels. Show all posts
Showing posts with label angels. Show all posts

Thursday, December 30, 2010

It's a Wonderful Life (1946)

The title says it all.
 
Intro.
It's finally here - my 100th film review.  I've thought a lot about which film I'd write about and finally chose something that is in keeping with the season and happens to be one of my all time favorite movies.  It took me awhile before I first saw It's a Wonderful Life.  During my high school English class, I found out that I was the only student not to have seen this seemingly essential holiday classic.  As a fan of old movies, I felt quite ashamed.  Looking back on it now, however, I think seeing it for the first time just prior to that transition from high school to college really had an influence on what I thought of it.  It also made the movie one of my all time favorites.        

Overview
It's a Wonderful Life opens with the voices of unseen people in a little town called Bedford Falls all praying for help for a man named George Bailey (Jimmy Stewart).  It's Christmas Eve and George is in trouble.  Up in the starry sky, St. Peter assigns angel second class Clarence (Henry Travers) to the case.  First Clarence gets to see George grow up, from the time he saves his little brother from drowning up through his other good deeds and his courtship with Mary Hatch (Donna Reed).  Time and again George gives up his dreams in order to help others.  First he puts off going to college in order to save his family's building and loan business after his father's death.  Then when his brother Harry returns from college to take over the business, George says he doesn't have to since Harry has a great job offer from his father-in-law.  Miserable at being stuck in his family business in the small town, the only thing George can really take comfort in is Mary.  They marry but before they can get away on their honeymoon, there's a run on the banks and on the Bailey Brothers Building and Loan.  George and Mary give away their honeymoon cash in order to keep the place from closing.  As time passes, the couple has four children and fixes up a beautiful house on Sycamore Street.  All the while George struggles to keep the business going and out from under the thumb of local tyrant Mr. Potter (Lionel Barrymore), a bitter old man bent on owning the whole town.  Well, that Christmas Eve, George's Uncle Billy (Thomas Mitchell) goes to the bank to deposit some $8,000 for the Building & Loan.  He accidentally drops the envelope into Mr. Potter's newspaper and all heck breaks loose when he realizes that he's lost it and can't remember where it went.  Mr. Potter, being the perfect movie villain that he is, won't say a word about it.  George tries to find the money too, but after all his efforts, he faces financial ruin, scandal and a possible jail term.  It seems like his whole life has been a failure and the only good he can do is die and leave Mary his life insurance money.  So George finds his way to the bridge over the river and tries to kill himself, only to find Clarence.  He tells Clarence that everything would be better off if he'd never been born.  Clarence in turn accompanies George back to town, where George slowly realizes his wish has been granted - George Bailey never existed.  In his absence, Bedford Falls has turned into the corrupt town of Pottersville, filled with bitter, lonely and angry people.  George goes through the town realizing that his life has in fact made a difference, a much bigger difference than he had thought.  Each person's life touches so many others, Clarence explains, that his absence creates quite a void.  Overcome by what he sees, George discovers that all he needs are the people that he loves and prays to return to his life.  George gets his wish and returns home ecstatic to be alive, even cheerfully greeting the attorney at his house who comes bearing a warrant.  Then a real Christmas miracle happens - Mary comes home with a giant collection basket.  Following her are dozens upon dozens of George's friends, family, and neighbors, each giving what they can to save George.  The overwhelming support saves them all in the end, and Clarence at last earns his wings.               

Highlights
 It's a Wonderful Life has some truly unforgettable characters.  Even if you've never seen the film, you probably know something of the story and the people in it, as it's become such a staple in American culture.  I knew about George Bailey and Clarence long before I had seen the film.  In addition to them there's also the incredible Donna Reed (who makes motherhood look way too easy!), the great Thomas Mitchell, and of course the legendary Lionel Barrymore.  In addition to these great characters, there's also Bert the cop (played by one of my favorite supporting actors, Ward Bond) and Ernie the cab driver (played by Frank Faylen), who would inspire the naming of another unforgettable pair - Bert and Ernie from Sesame Street.  The acting and the relationships between characters is very good and contributes to the feeling that the film is timeless.  There are some outstanding lines from this film as well, ones I'm sure we all know by heart.  For example, the line "every time a bell rings, an angel gets its wings" is from Clarence.  This time as I watched, I was struck by Ma Bailey's line about Mary: "she's the kind of girl who will help you find the answers, George."  Truer words were never spoken, for it is Mary that George sees last in his dream with Clarence and it is Mary who goes around asking for and receiving help that snowy Christmas Eve.  Mary (and through her, their children) is George's lasting dream: the one that means the most to him and the one that has come true.

I also got to thinking that few actors probably could have pulled off the role of George Bailey.  Jimmy Stewart is often called the "everyman" hero of Hollywood, and nothing emphasizes that title better than this film.  I think one of the reasons it remains such a classic is that we can all relate to George Bailey.  His sacrifices are more than admirable, but we can still see his frustration and disappointment throughout his life.  I'm sure we can all relate to some turning points in our own lives.  Over on his blog, Better Living through Beowulf, my former film professor Robin wrote about It's a Wonderful Life and some of the turning points in his grandfather's lifeHe also talks about how dark this movie is, both in filming techniques and in tone.  After you've seen it, it's hard to remember how bleak the film is because the ending far outweighs the sadness.  When I first saw the film, I felt this crushing blow when I saw George Bailey seriously contemplating suicide.  Here is America's everyman hero, a far greater man than anyone we know, hopelessly pushed to the brink of despair.  George's decision to live again is one of the most moving scenes in all the films I've ever seen.  It was so moving that when Capra was filming the first shot of that scene, Jimmy Stewart began sobbing for real.  Instead of forcing Stewart to do a second take to get the close-ups, Capra used enlargements of the original shot.  It gives the film genuine emotion and makes the story hit closer to home. 

I've read a lot about the morality of this film too.  George Bailey is a hero in every sense, always giving of himself and making sacrifices for the sake of his family and the town.  Then this horrible event happens to him and there's no way out (or so he thinks).  I always thought it a bit upsetting that Mr. Potter gets away without punishment.  One review I read suggested that, as the film was made after WWII and both Capra and Stewart had seen much of the war, they both knew that life wasn't always so clearly black and white (pardon the pun!). Looking at it now though, I think Potter does receive punishment.  He's played out his final hand by keeping the misplaced money only to see George Bailey again rise up victorious.  You can't keep a good man, down, Mr. Potter, especially a man like George Bailey.  Potter's envious of the kind of riches that George has, the treasure of family and friends.  In the end, Potter is left alone while George is surrounded by people.  It's appropriate that the film takes place at Christmas too, for it is a time when families and loved ones are supposed to come together and bring light to the darkest and coldest nights of the year.     

Returning to memorable lines from the film, I'm going to end with my favorite, a line that is in a note from Clarence to George: "Remember, no man is a failure who has friends."  I can't tell you how many times that line has comforted me over the years.  I've had those dark moments where everything looked hopeless, but I've been lucky enough to have some very steadfast friends to bring some light back into my life.  I think we all have those times where we look at all the choices we've made and wondered if the path we've chosen was the right one.  I know I'm not alone in having foregone some dreams for one reason or another, and like George we may all feel frustrated and disappointed at times, maybe even hopeless.  But George finally realizes that life isn't about material things or dreams left unfulfilled; it's about the dreams that do become reality and the enduring strength of love and friendship.  His epiphany gives all of us hope. 

Review and Recommendation
I could write a lot more about the details of this film and why it all works together so well to make something so timeless, but I'm getting more emotional and a bit corny as I write, so I think it's best I wrap it up.  If you have yet to watch It's a Wonderful Life, I can't recommend it enough.  There are some films for which a short review just can't do justice, and this is one of them.  To all of my friends and readers out there, thank you for your comments and your support this year as I worked to chronicle my classic movie obsession.  Here's to 2011 and another year of movie memories!

Sunday, December 19, 2010

The Bishop's Wife (1947)

"Sometimes angels must rush in where fools fear to tread." - Dudley

Intro.
It's getting to be that time of year when we wax nostalgic and bring out all those old holiday movies we've watched and loved for years.  What I love about holiday or Christmas movies is how they make you feel like everything really is okay or if it isn't okay, that you'll make it through by the love and support of your friends and family.  One of my favorite films, a modern one called, The Holiday, features Kate Winslet as Iris, who befriends elderly screen writer Arthur Abbott (Eli Wallach).  When he gives her a corsage, he apologizes that it might seem a bit corny.  To which Iris replies, "I like corny.  I'm looking for corny in my life."  That's kind of how I feel at this time of the year.  This review of The Bishop's Wife and the ones following later this month may be about corny films, but they are also ones that help bring in that old holiday spirit.

Overview
Young bishop Henry Brougham (David Niven) is so busy trying to raise the funds to build a cathedral that he doesn't have time for his wife Julia (Loretta Young) or his daughter Debby (Karolyn Grimes).  Stressed and worried, he prays for help and gets it in an unexpected form - an angel named Dudley (Cary Grant).  Dudley helps everyone he meets, including the maid and cook and strangers on the street.  Only Henry seems not to like Dudley, but only because he alone knows that Dudley is not human.  Although Dudley helps with the office, he does nothing to get Henry's main contributor, Mrs. Hamilton (Gladys Cooper) to stop being so difficult and withholding her funds.  Henry, completely frustrated, orders Dudley to leave, but Dudley cannot because his work is not finished.  Since Henry refuses to let Dudley take his place with Mrs. Hamilton, Dudley takes it upon himself to take Henry's place with Julia, at least for a day filled with ice skating and fine dining and a visit to family friend, Professor Wutheridge (Monty Woolley).  It's clear that Dudley is understanding, charming and makes everyone he meets feel better instantly (because, you know, he is an angel).  After failing to get Dudley out of his life, Henry talks to the Professor and finds that finally he can confess the truth about Dudley.  The Professor helps him realize that Dudley is just trying to get the couple back together and to help them enjoy life again.  Meanwhile, Dudley has a heart-to-heart with Mrs. Hamilton, who confesses that she no longer wants a cathedral, but wants to give her money to those in need, including Henry's old church, which is in dire straits.  The whole movie comes together as Henry delivers his Christmas Eve service, happy that his true calling in life has been fulfilled. 

Highlights
I was just thinking about how Cary Grant could play any character he wanted.  I mean, I was thinking about how different some of his roles were, like how creepy he was in Suspicion, or hilarious in Bringing Up BabyThen to see him as an angel, well, that just tops it all.  I love him in this role, even more upon this viewing than the last.  I think what he manages to convey best of all is how he is conflicted.  I loved his line "when an angel becomes jealous of the humans in his charge, it's a warning signal."  He is referring to Julia, with whom he has almost fallen in love.  It's also fun to watch him with fellow Englishman David Niven and the lovely Loretta Young.  All three turn in fine performances.

It seems that all these holiday films want to get at the heart of the real meaning of Christmas.  Each one usually arrives at the same conclusion - that in addition to Christ, the gifts of Christmas are love, peace, and the people you care about.  The Bishop's Wife does a wonderful job of getting Henry to realize just that.  While his transformation is at the heart of the film, so is the transformation of Julia, who must learn to enjoy life and to live in the moment.  Dudley is the perfect catalyst for both changes too.

Some scenes in this film are my absolute favorites from holiday movies.  For instance, Dudley and Julia ice skating is delightful to watch, and Dudley's story about a shepherd named David fascinates both young Debby and the rest of the household (not to mention the audience!). 

Review and Recommendation
The Bishop's Wife is just a simple, old-fashioned feel good movie with some religious subtleties.  A wonderful family-friendly film, I recommend it as it's near the top of my list of all time favorite Christmas movies.  It's definitely one I'd recommend to Cary Grant fans.  Also, if you've ever seen The Preacher's Wife, which was made in 1996, it is a complete remake of this film, complete with a couple named Henry and Julia and an angel named Dudley.  I haven't seen it, but am curious to watch it now.  

Sunday, October 24, 2010

Topper (1937)

Poor Topper doesn't stand a ghost of a chance when his two friends decide to haunt him.

Intro.
Okay, so I know Topper isn't really in the realm of this month's horror/thriller/Hitchcock themed films, but it does star two mischief making ghosts and I couldn't resist.  I'm also bending one of the rules in the Production Code, as I had seen this movie previously.  It had been many years since I had seen it though, and I didn't remember much of it, so I decided to watch it again the other night.  I'm so glad I did!

Overview
George Kirby (Cary Grant) and his beautiful wife Marion (Constance Bennett) are an extremely wealthy, fun-loving couple.  They are the typical roaring twenties type of couple living in the thirties, leaving a 3 day anniversary party at their penthouse to go into town for the annual bank stockholder meeting.  Their friend Cosmo Topper (Roland Young) is the bank president, and while annoyed at George's adolescent remarks during the meeting, he nevertheless cares deeply for his friends.  Marion decides that she wants to help Topper shake off his stuffy, responsible attitude and enjoy life.  However, Mrs. Topper (Billie Burke) is the exact opposite of Marion, and insists that her husband remain the uptight, respectable businessman.  Everything changes though when an awful car crash kills the Kirbys.  George and Marion's spirits cannot move on then, presumably because they were so busy enjoying themselves in life that they hadn't done any good deeds.  Topper soon becomes their good deed.  Together, George and Marion follow Topper, appearing and disappearing at their whim.  It causes quite a bit of confusion and pretty soon they've not only gotten Topper to drink for the first time in his life, but get him into a fight with the police, resulting in his arrest and name in the paper.  He and Mrs. Topper fight and he leaves.  Marion goes with him to the Seabreeze Hotel, presumably for the first night where he can drink and dance and enjoy himself.  Many comedic moments follow, as the house detective finds something funny about a man talking to a woman who is there in voice, but not visible.  Then a very jealous George appears and has a row with Marion.  However, to help George avoid more trouble with the police, they trash the hotel while invisible, much to the shock and terror of all the guests.  They get an unconscious George safely back home to his wife, and when he awakens, both are relieved that he is alright.  More than that, Mrs. Topper agrees that she has been too rigid and wants to relax and enjoy life again.  Happy at last, Topper and his wife finally rekindle their love and the Kirbys get to pass into the afterlife.    

Highlights
I don't recall ever seeing Constance Bennett before, and after a quick search on IMDb, I realized that I didn't recognize any of the films she had made.  It often amazes me how many Hollywood films were made in the 30s and 40s and how many of them aren't shown anymore.  I'm not saying it's because of quality so much as it is just a staggering number.  TCM is always having first showings of films they'd never aired previously.  I think I could spend my whole life watching every film that came out of each of the studios in Hollywood in the 30's and 40's and never have to watch the same film twice.  Granted, this was also a time when the movies didn't have to compete with television - higher demand and supply.  Still, I would really enjoy watching more of Ms. Bennett, as she is a wonderful, bright and fashionable woman.  She's the perfect match to the comedic, light-hearted side of Cary Grant (whose performance in Topper reminded me of his role in Holiday).   

Overall, the film struck me for its commentary on high society.  True, their foolhardy recklessness gets them killed, but even in the afterlife, the Kirbys are much happier than Topper is in his own life.  It isn't about money so much as it is about enjoying the little things - taking time to spend with your husband/wife or go out dancing.  But more than that, it's about loosening up a bit.  Mrs. Topper is shocked when the wives of the highest members in society ask her for lunch only after they see that Mr. Topper was arrested.  Apparently that made the Toppers "interesting" and worthy of joining that slightly eccentric upper crust.  That seems odd but somewhat typical of the time - most people in America with money during the Great Depression are usually depicted as more than a bit strange.  That may be why the main point of the film is so well done - all the Toppers need to be happy are each other, not all that money.  The Kirbys are proof enough of that, making up after their big fight in the afterlife.

Finally a word about the special effects.  I'm not familiar with the history of special effects or what was cutting edge at the time of a film's release.  However, I was impressed by how well the effects were done in this film.  The fading on and off screen might seem a bit silly, but it works well for the story.  The best parts are when things start to move and float seemingly by themselves - the car almost fixes itself, papers are thrown up into the air at Topper's (and Marion's) passing, and general chaos like that.  A few of the tricks I could figure out, but most of them are just entertaining and believable enough because the perpetrators are two such likable characters.

Review and Recommendation
While not a very well-known film, Topper is a classic example of comedies from the 1930s.  It is warm, silly and entertaining.  I recommend it to fans of Cary Grant and Constance Bennett, and to anyone interested in depictions of the upper class.

P.S. Best line was from Cary Grant.  Marion asks George what he's doing walking along the roof peak like a tightrope.  His response?  "I'm practicing to be an angel!"  It's nice to think that he'd make a great angel too, years later in The Bishop's Wife.