Jimmy Stewart was a very talented actor despite his distinctive, not always so charming, voice. He couldn't pull off the high society or incredibly debonair roles like Cary Grant, nor could he always play the rough and hard-bitten cowboy loners like John Wayne. Jimmy was too likable and too much like the guy you know next door. He embodied the everyman unlike any other actor, with Tom Hanks being his only true successor. What I love about Jimmy Stewart is this exact quality - when he gets beaten down, we feel it because we've been there. When he comes back up on top, we cheer because we can see ourselves rising to the occasion with him.
Jimmy Stewart's enormous talent allowed him to explore many different types of roles with one major exception - he never played a bad guy. Well, except for once in a very early film (After the Thin Man, 1936), but we won't discuss that. Stewart teamed up with Frank Capra in 1938 and started on his big-time success with You Can't Take it with You. From then on, Stewart became one of the biggest stars of all time. And I bet you didn't know this, but when America entered into WWII, Jimmy Stewart was one of the first actors to join the Armed Services. Well, he would have been one of the first, but his lanky frame put him into the "underweight" category a few times. He kept trying and eventually joined the Army Air Corps. He remained active within the Corps even after the war, putting in enough flying time to keep his certification and eventually rising to the rank of Brigadier General. I think Stewart's dedication to the Armed Forces helped bolster his image as the American Everyman Hero. During the war, your sons and daughters could have been flying right alongside of him. Now that's someone to admire.
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A drunken Connor (Stewart) carries an even drunker Tracy (Hepburn) back from a late-night swim in The Philadelphia Story (MGM 1940) |
- The Philadelphia Story (1940) Jimmy Stewart plays cynical reporter Macaulay Connor, who is sent to spy on society gal Tracy Lord's (Katharine Hepburn) wedding. As much as he hates the high and mighty, he winds up falling in love with her and causing all sorts of inebriated trouble. I love how he can get that jaded side down pat while still finding hope in the end.
- Harvey (1950) What can you say about a man who co-stars with a giant white rabbit that only he can see? Darned good acting, that's what.
- Rear Window (1954) Arguably one of Hitchcock's best films, I think this may be my favorite Jimmy Stewart/Hitchcock film. The entire film rests on how Stewart creates his character - as Jeff, we only see what he sees and witness what he witnesses. It's an amazing film and extra wonderful because Grace Kelly is at the height of her career.
- Vertigo (1958) Just love it. Jimmy manages to go from a pretty normal guy to one completely obsessed with a woman. Kind of like how he plays Harvey - that slip into madness isn't hard to believe.
- The Man Who Shot Liberty Valance (1962) is a fantastic tribute to the dying art of the classic Western. It's full of the old mythic types and the underlying sadness that the true heroes are often those who remain nameless and unknown to history. Interesting fact - John Wayne is arguably in one of his most perfect roles, but director John Ford did not want to cast an unknown or any actor of lesser legendary status to be Wayne's character's adversary (in the role of bright and hopeful young tenderfoot lawyer, Ransom Stoddard). So the role went to the only other actor at the time that was just as well loved and well known as Wayne - Jimmy Stewart. Yes, he looks a bit too old for the part, but as a fan of both actors, it's difficult for me to pick a side, so I can't imagine how it was received back in 1962.
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