Thursday, September 16, 2010

High Society (1956)

Intro.
Normally, I hate remakes.  If a film isn't particularly good, then I can understand wanting to redo it, or if there's some big change or improvement (like making a silent film into a talking picture) that warrents a new film.  I also appreciate it when the new film's director pays homage or does something to respect the new film.  Case in point, Cape Fear.  The original Cape Fear from 1962 starred Gregory Peck and Robert Mitchum.  When it was remade in 1991, Martin Scorsese made sure that both men had roles in the film (both of them play lawyers in the remake).  That shows class and respect.  High Society is a different kind of remake.  It takes the movie, The Philadelphia Story, and makes it into a musical.  As it has changed genres, the film loses some of its punch, but adds some beautiful songs.  It's enjoyable in a wholly different way, which is one of the reasons I like it.

Overview
Wealthy Tracy Lord (Grace Kelly) is getting remarried at her family estate.  Her ex-husband, C. K. Dexter Haven (Bing Crosby) however, lives next door and has opened his home to a jazz festival which will coincide with (and possibly ruin) her wedding.  Dexter is still in love with his ex-wife, despite her cool condescension of his work as a "jukebox hero."  Tracy's snobbery extends to her father, who has left home due to rumors of an affair with some showgirl.  Her wedding plans get even more complex when Spy Magazine threatens to run a tell-all story about Mr. Lord - a threat which is stopped in exchange for an inside scoop of Tracy's wedding.  The two magazine reporters, Mike Conner (Frank Sinatra) and Liz Imbrie (Celeste Holm), don't know about the deal, and hate their job almost as much as Tracy hates having them there.  If things couldn't get any harder for her, her father shows up unexpectedly, Mike starts to fall for her, and in the end her in tact virtue starts to crumble when a drunken late night swim with Mike leaves her uncertain of just how far they had gone.  Her fiancee refuses to marry her, thinking her unfaithful, and the resulting mess turns into a great ending after all.

Highlights
To judge this film on its own merits, it is a very fine piece of entertainment.  I wouldn't say it was the best musical I've ever seen, but certainly one of the most charming.  I mean, how can you resist Grace Kelly, Bing Crosby and Frank Sinatra in a love triangle?  Each performer in the movie is definitely worth watching.

I think the music really adds to this film.  Songs like "True Love" and "You're Sensational" are well-performed and showcase the two singer-turned-actors.  I have always loved the Sinatra/Crosby duet, "Well, Did You Evah?" which is a funny portrait of the follies of the upper class.  You also have to laugh at the Sinatra/Holm duet, "Who Wants to be a Millionaire?"  And of course, we can't forget the jazz festival, which features none other than Louis Armstrong as himself (how cool is that?).

It's difficult to watch High Society and not compare it with The Philadelphia Story.  Each movie is fun, entertaining and features some great talent.  That being said, I think the point of the story - Tracy's fall from grace and final understanding that no one is perfect - is portrayed much more effectively in The Philadelphia Story.  In some ways, I consider that film to be a comedy-drama.  The characters are much more developed and fragile.  In the original, Dexter is an alcoholic and hit Tracy, which led to their divorce.  In High Society, their divorce isn't really explained except that Dexter is just another crooner.  Likewise, Mike's character is much more developed in The Philadelphia Story - he is a real person trapped in a job he hates who connects with Tracy after talking to her about his writing.  In High Society, Mike's a more of a plot device (I hate putting it that way!) used to make the story work.

The addition of music allows the film to not only be light-hearted, but to sort of poke fun at the upper class more so than the original film did.  One thing that really struck me in High Society is the scene where Tracy takes Mike to see the "graveyard" of the rich - mansions abandoned because the taxes are too high.  The world she belongs to is falling apart and she wants to make sure he realizes it isn't all about dinner parties and pink champagne.  But that is as serious as the film gets.  And I think that's really what they wanted to achieve - to take a comic look at the "rich and mighty", not a deeper one that borders on the dramatic.

Review and Recommendation
On its own, High Society is a fun, upbeat musical comedy.  Grace Kelly is magnificent, as are her two crooning suitors, Sinatra and Crosby.  The score is incredible, and I guarantee you'll have at least one of the songs stuck in your head afterward!  While not as deep or well-developed as The Philadelphia Story, the film achieves its purpose to entertain and to showcase three legends on screen together.  This is one remake I can love and recommend!

P.S. The original Cape Fear is still far better than the remake, by the way.

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