Showing posts with label Bing Crosby. Show all posts
Showing posts with label Bing Crosby. Show all posts

Thursday, September 16, 2010

High Society (1956)

Intro.
Normally, I hate remakes.  If a film isn't particularly good, then I can understand wanting to redo it, or if there's some big change or improvement (like making a silent film into a talking picture) that warrents a new film.  I also appreciate it when the new film's director pays homage or does something to respect the new film.  Case in point, Cape Fear.  The original Cape Fear from 1962 starred Gregory Peck and Robert Mitchum.  When it was remade in 1991, Martin Scorsese made sure that both men had roles in the film (both of them play lawyers in the remake).  That shows class and respect.  High Society is a different kind of remake.  It takes the movie, The Philadelphia Story, and makes it into a musical.  As it has changed genres, the film loses some of its punch, but adds some beautiful songs.  It's enjoyable in a wholly different way, which is one of the reasons I like it.

Overview
Wealthy Tracy Lord (Grace Kelly) is getting remarried at her family estate.  Her ex-husband, C. K. Dexter Haven (Bing Crosby) however, lives next door and has opened his home to a jazz festival which will coincide with (and possibly ruin) her wedding.  Dexter is still in love with his ex-wife, despite her cool condescension of his work as a "jukebox hero."  Tracy's snobbery extends to her father, who has left home due to rumors of an affair with some showgirl.  Her wedding plans get even more complex when Spy Magazine threatens to run a tell-all story about Mr. Lord - a threat which is stopped in exchange for an inside scoop of Tracy's wedding.  The two magazine reporters, Mike Conner (Frank Sinatra) and Liz Imbrie (Celeste Holm), don't know about the deal, and hate their job almost as much as Tracy hates having them there.  If things couldn't get any harder for her, her father shows up unexpectedly, Mike starts to fall for her, and in the end her in tact virtue starts to crumble when a drunken late night swim with Mike leaves her uncertain of just how far they had gone.  Her fiancee refuses to marry her, thinking her unfaithful, and the resulting mess turns into a great ending after all.

Highlights
To judge this film on its own merits, it is a very fine piece of entertainment.  I wouldn't say it was the best musical I've ever seen, but certainly one of the most charming.  I mean, how can you resist Grace Kelly, Bing Crosby and Frank Sinatra in a love triangle?  Each performer in the movie is definitely worth watching.

I think the music really adds to this film.  Songs like "True Love" and "You're Sensational" are well-performed and showcase the two singer-turned-actors.  I have always loved the Sinatra/Crosby duet, "Well, Did You Evah?" which is a funny portrait of the follies of the upper class.  You also have to laugh at the Sinatra/Holm duet, "Who Wants to be a Millionaire?"  And of course, we can't forget the jazz festival, which features none other than Louis Armstrong as himself (how cool is that?).

It's difficult to watch High Society and not compare it with The Philadelphia Story.  Each movie is fun, entertaining and features some great talent.  That being said, I think the point of the story - Tracy's fall from grace and final understanding that no one is perfect - is portrayed much more effectively in The Philadelphia Story.  In some ways, I consider that film to be a comedy-drama.  The characters are much more developed and fragile.  In the original, Dexter is an alcoholic and hit Tracy, which led to their divorce.  In High Society, their divorce isn't really explained except that Dexter is just another crooner.  Likewise, Mike's character is much more developed in The Philadelphia Story - he is a real person trapped in a job he hates who connects with Tracy after talking to her about his writing.  In High Society, Mike's a more of a plot device (I hate putting it that way!) used to make the story work.

The addition of music allows the film to not only be light-hearted, but to sort of poke fun at the upper class more so than the original film did.  One thing that really struck me in High Society is the scene where Tracy takes Mike to see the "graveyard" of the rich - mansions abandoned because the taxes are too high.  The world she belongs to is falling apart and she wants to make sure he realizes it isn't all about dinner parties and pink champagne.  But that is as serious as the film gets.  And I think that's really what they wanted to achieve - to take a comic look at the "rich and mighty", not a deeper one that borders on the dramatic.

Review and Recommendation
On its own, High Society is a fun, upbeat musical comedy.  Grace Kelly is magnificent, as are her two crooning suitors, Sinatra and Crosby.  The score is incredible, and I guarantee you'll have at least one of the songs stuck in your head afterward!  While not as deep or well-developed as The Philadelphia Story, the film achieves its purpose to entertain and to showcase three legends on screen together.  This is one remake I can love and recommend!

P.S. The original Cape Fear is still far better than the remake, by the way.

Sunday, February 7, 2010

The Road to Morocco (1942)

Intro.
The third of the Bob Hope and Bing Crosby road pictures, The Road to Morocco definitely has the most memorable theme song!  It had been a long, long time since I had seen any of the "Road" pictures, so when TCM held a night filled with Bob and Bing, I had to catch up with this one.  It certainly illustrates the crooner-comedian format that defined many comedies of the forties and fifties and even 64 years later continues to entertain and delight audiences.

Overview
In this parody of Arabian swashbuckling adventures, Orville (Bob Hope) and Jeff (Bing Crosby) have been stranded on a raft in the ocean.  After nearly starving and getting sick of each other, they land on a sandy beach and climb aboard a camel that takes them through the desert and into a bustling city somewhere in Morocco.  Once there, Orville gets noticed by a princess (Princess Shalamar, played by Dorothy Lamour) and Jeff gets his hands on $200.  The only problem is, Jeff gets the dough by selling Orville!  Jeff's conscience gets the best of him, so he goes out to rescue Orville.  Only thing is, Orville has been sold to the Princess and is set to marry her.  But when Orville finds out that the first husband of the princess is fated to die within a week of the wedding, he tries to get Jeff to take his place.  It almost works until sheik Mullay Kassim takes them all hostage in order to marry the Princess himself.  The prophecy is found out to be false, so Bob and Bing must escape and save Dorothy and make it back to the good ole USA! 

Highlights
I love this movie.  Bob and Bing always make a terrific pair, but here is one of their best performances.  I think what makes the movie such a standout is that it doesn't take itself seriously.  Throughout the film, the boys are constantly breaking "the fourth wall" - in their opening song, they sing "I'll bet you eight to five that we meet Dorothy Lamour!"  Later, and perhaps my favorite gag, is when the sheik throws the boys in jail, Orville starts going through all of what's happened up to that point.  When Jeff says he knows all that, Orville replies, "well, the people who just came into the movie don't know that." 

I'm not normally a huge Bing Crosby fan.  Don't get me wrong, I like him and I think he can really sing well, but I guess I'm more of a Frank Sinatra girl.  But when Bing sings "Moonlight Becomes You" I have to admit, I kind of swooned.  If you ever want to know why millions of women went nuts for Bing, listen to him sing this ballad.   

Celebrity Spotings
Anthony Quinn plays Mullay Kassim.  According to Robert Osborn, Anthony was often cast in a wide range of ethnic supporting roles because of his appearance.  He was of Irish-Mexican descent, yet he looked a little Middle Eastern.  He would later go on to play in The Guns of Navarone and The Old Man and the Sea, and would win Oscars for Viva Zapata! and Lust for Life.  And he is both strong and funny as the sheik.  Also of note is Dona Drake, who plays one of the princess's handmaidens who falls in love with Orville and helps him escape.  I had to look her up on IMDb because she looked so familiar - I had seen her in Without Reservations (ironically enough, another funny road movie).  She's pretty awesome in this one too, and can keep up with Bob's quick humor.

Review
The Road to Morocco is what good family comedy is all about.  There's enough humor for everyone to enjoy and will endure as a comedy classic for a long, long time.  If you want to see a Bob Hope Bing Crosby film, I strongly urge you to start with this one - you won't regret it!  (And I'll bet you eight to one that you get the theme song stuck in your head!)

As always, read more at IMDb.com.  Want to hear the theme song?  Check it out here.