Showing posts with label Natalie Wood. Show all posts
Showing posts with label Natalie Wood. Show all posts

Wednesday, June 23, 2010

Kings Go Forth (1958)

Intro.
Despite being a huge Frank Sinatra fan, I haven't seen all of his films yet.  Sure, I've seen quite a few, including the awful ones like The Kissing Bandit and The Pride and the Passion.  But I've missed some of his most well-respected or well-known, like Kings Go Forth.  Not only is it a good war story, but a good romance and a good reflection of human character.

Overview
Lt. Sam Loggins (Frank Sinatra) is the leader of a group of men who have marched through Italy and into France during World War II.  As they fight for a small valley occupied by the Germans, he gets a group of recruits including the suave, smooth-talking standout Britt (Tony Curtis).   Then on a pass in Nice, Sam meets beautiful Monique (Natalie Wood) who is American but has lived her whole life in France.  He falls hopelessly in love with her, but she does not fall for him.  She instead tells him that her father, two years deceased, was a Negro, which is why her family moved to France when she was born.  Sam takes it a bit hard, coming from a prejudiced background as was pretty common in the forties (American troops weren't even desegregated until 1948).  However, he decides to come back to Monique, but as happy as she is to see him, she soon takes interest in Britt, whom they run into while at a nightclub.  It's clear that Britt and Monique are infatuated with each other and each time the three meet, Sam becomes the third wheel.  He bows out one night to allow them to be together, only to realize that they are out all night.  Confronting Britt the next morning, he discovers that, with Monique's mother's insistence, the two are now engaged.  Sam remains friends with them both - that is until he discovers that Britt purposefully did not submit the marriage paperwork to the Army.  Furious, he makes Britt admit that he had no intention of marrying a half-black woman and a distraught Monique runs out of the house.  Sam follows her, but is too late because she gets hit by a car.  But the story doesn't end there!  Sam and Britt go out on a dangerous mission.  The only problem is, Sam has told Britt he will kill him for what he did to Monique.  The resulting battle is a harrowing night for both men that will change both of them forever.

Highlights
Not all of the cinematography was outstanding in this film, but there were a few shots that just took my breath away.  If you watch, keep an eye out for some unique angles along the streets of the French Riviera and again during some of the battle scenes.  And Natalie Wood looks amazing (of course).

Frank Sinatra and Tony Curtis are well cast in this film and each one delivers a great performance.  Frank's acting is pitch-perfect too.  When he confronts Curtis and learns that he's engaged, we aren't sure if Frank is going to smile or punch Curtis.  In fact, Tony Curtis and I both jumped when Frank stuck out his hand and growled "Congratulations."  I also really enjoyed watching Leora Dana as Monique's mother - she has a great presence and really gives her story a lot of heart.  Frank Sinatra also narrates the film.  At first I was confused, as his narrator tone was a lot softer, more reflective and sentimental than his brash speaking voice.  It makes sense though, because he is looking back on all of this as he tells the story - we can imagine he is telling it after the war is over and after he has changed.  I think that's a pretty important storytelling technique and well done.  It's hard to show two sides of a character and explain how one changed into another.          

Finally, there's the heart of the matter - whether or not such a thing as race and background can change the basis of love.  That's what we, along with Sam, discover: Love is more enduring than prejudice and the human spirit is resilient even in tragedy.

Review
Okay, I loved this movie.  It reminded me at times of From Here to Eternity in its depth and sometimes melodramatic tone.  There's also a great scene where Frank is seated at an outdoor cafe table watching Britt and Monique dance and I swear, I thought he was going to start humming "What Makes the Sunset."  But enough fan girl movie allusions - this film stands on its own two feet.  It has many layers and some great talents.  Definitely a movie worth seeing.


*"What Makes the Sunset" is from Anchors Aweigh.  Frank sings it when his girl (Kathryn Grayson) starts to dance with and fall for Frank's best pal, Gene Kelly.  Sound familiar?

Sunday, March 7, 2010

West Side Story (1961)

Intro.
Each of us has that "list" of films we want to see, but for one reason or another haven't gotten around to seeing.  Whenever someone recommends a movie to us, we say we'll put it on our list.  West Side Story was one of those movies on my list.  I had always been meaning to see it, so when it was featured on TCM a few days ago as part of their 31 days of Oscar marathon, I finally got my chance.  I already knew it was based on Romeo & Juliet, but it surprised me by being unpredictable.

Overview
For the most part, West Side Story does mirror Romeo & Juliet.  The feuding families have been replaced with rival teenage gangs - the American born Jets and the Puerto Rican Sharks.  Of course there's a dance at the school gymnasium, where Maria, the sister of the Sharks leader Bernardo, meets Tony, one of the founding members of the Jets.  Tony has since given up the gang life in order to work and make a life for himself.  His best friend Riff now runs the Jets, and has asked him to help with a war council against the Sharks.  Bernardo, furious that Maria danced with Tony, accepts Riff's challenge to a rumble.  The agreement is that one man from each side will fight with only his fists - no weapons.  Meanwhile, Tony and Maria get together, but she pleads with him to stop the fight.  Tony arrives as the rumble begins, and his attempts to stop it only further anger Bernardo.  Needless to say, the fight gets way out of control and ends with both Riff and Bernardo dead.  Bernardo's friend Chino goes after Tony for revenge and after a few fateful twists, the film closes with both gangs realizing just what their hatred has done.

Highlights
The music and choreography are definitely the shining features of this film.  It feels almost like an opera, with its sweeping dance sequences and limited amount of dialogue.  The beginning was a bit difficult for me to get interested in, as it felt a little on the long side.  Also, it took some time for me to really appreciate and accept a bunch of teenage gangsters trying to assert their territory by dancing down the street.  But as soon as we meet Maria and Tony, the film changes both in depth and color.  Everything in the Puerto Rican homes is bright, rich and multi-colored, which makes it the perfect setting for Maria and Tony to reunite and declare their love.  In addition to the wonderful performances of Natalie Wood and Richard Beymer, Rita Moreno does an outstanding job as Bernardo's girlfriend Anita.  Especially good is the number done by the Sharks and their women called "America", which focuses on the hardships faced by immigrants.

Review
I was surprised that Natalie Wood and Richard Beymer both had their singing dubbed, and I have to confess it took some of the magic away.  The film does feel a bit dated, and as I mentioned before the beginning is a little long.  Still, I can see why the film earned its 10 Oscars, as it beautifully touches such difficult topics as teenage angst and rebellion, fated love, and prejudice.  It is one of the most simple story lines that has produced such a complex and dynamic musical.  If West Side Story is still on your list, move it up to the top and watch it soon.