Showing posts with label Jimmy Stewart. Show all posts
Showing posts with label Jimmy Stewart. Show all posts

Monday, August 15, 2011

Day 12 - Jimmy Stewart

Last year I took on the challenge to watch and review 100 films.  I succeeded by only a few hours, but made it (you can see my full list of films on the right column of this blog).  The last one was It's a Wonderful Life, which I know is a staple for most families around the holidays.  I think the major appeal of the film is that everyone can empathize with George Bailey, so wonderfully played by Jimmy Stewart. 

Jimmy Stewart was a very talented actor despite his distinctive, not always so charming, voice.  He couldn't pull off the high society or incredibly debonair roles like Cary Grant, nor could he always play the rough and hard-bitten cowboy loners like John Wayne.  Jimmy was too likable and too much like the guy you know next door.  He embodied the everyman unlike any other actor, with Tom Hanks being his only true successor.  What I love about Jimmy Stewart is this exact quality - when he gets beaten down, we feel it because we've been there.  When he comes back up on top, we cheer because we can see ourselves rising to the occasion with him.

Jimmy Stewart's enormous talent allowed him to explore many different types of roles with one major exception - he never played a bad guy.  Well, except for once in a very early film (After the Thin Man, 1936), but we won't discuss that.  Stewart teamed up with Frank Capra in 1938 and started on his big-time success with You Can't Take it with You.  From then on, Stewart became one of the biggest stars of all time.  And I bet you didn't know this, but when America entered into WWII, Jimmy Stewart was one of the first actors to join the Armed Services.  Well, he would have been one of the first, but his lanky frame put him into the "underweight" category a few times.  He kept trying and eventually joined the Army Air Corps.  He remained active within the Corps even after the war, putting in enough flying time to keep his certification and eventually rising to the rank of Brigadier General.  I think Stewart's dedication to the Armed Forces helped bolster his image as the American Everyman Hero.  During the war, your sons and daughters could have been flying right alongside of him.  Now that's someone to admire.

A drunken Connor (Stewart) carries an even drunker Tracy (Hepburn) back from a late-night swim in The Philadelphia Story (MGM 1940)
 Stewart brought a sense of honesty and wholesomeness to all of his characters, even to the tough and onery ones he played in later Westerns.  I could probably list all of his best roles, but this post would be too long, so here are a few highlights (I've already reviewed The Shop Around the Corner and It's a Wonderful Life - please check those out too!)
  1. The Philadelphia Story (1940)  Jimmy Stewart plays cynical reporter Macaulay Connor, who is sent to spy on society gal Tracy Lord's (Katharine Hepburn) wedding.  As much as he hates the high and mighty, he winds up falling in love with her and causing all sorts of inebriated trouble.  I love how he can get that jaded side down pat while still finding hope in the end.
  2. Harvey (1950) What can you say about a man who co-stars with a giant white rabbit that only he can see?  Darned good acting, that's what.
  3. Rear Window (1954) Arguably one of Hitchcock's best films, I think this may be my favorite Jimmy Stewart/Hitchcock film.  The entire film rests on how Stewart creates his character - as Jeff, we only see what he sees and witness what he witnesses.  It's an amazing film and extra wonderful because Grace Kelly is at the height of her career.
  4. Vertigo (1958)  Just love it.  Jimmy manages to go from a pretty normal guy to one completely obsessed with a woman.  Kind of like how he plays Harvey - that slip into madness isn't hard to believe.
  5. The Man Who Shot Liberty Valance (1962) is a fantastic tribute to the dying art of the classic Western.  It's full of the old mythic types and the underlying sadness that the true heroes are often those who remain nameless and unknown to history.  Interesting fact - John Wayne is arguably in one of his most perfect roles, but director John Ford did not want to cast an unknown or any actor of lesser legendary status to be Wayne's character's adversary (in the role of bright and hopeful young tenderfoot lawyer, Ransom Stoddard).  So the role went to the only other actor at the time that was just as well loved and well known as Wayne - Jimmy Stewart.  Yes, he looks a bit too old for the part, but as a fan of both actors, it's difficult for me to pick a side, so I can't imagine how it was received back in 1962.         
Sadly there are some films of Jimmy's I have yet to see, most embarrasingly, Mr. Smith Goes to Washington (1939), which I've seen most of, just not in its entirety.  Not only can he play the idealistic young congressman, but he can pull off all the classic roles too.  I mean, who else could have played Charles Lindbergh (The Spirit of St. Louis, 1957) and Glenn Miller (The Glenn Miller Story, 1954)?  Who else could be as great in a Western as in a comedy or a Hitchcock thriller?  Jimmy Stewart strikes me as an easygoing boy next door who turned into the all-American hero.  He had a natural talent and simple charm, not to mention a great sense of humor (no, really, you should look up some of his appearances on the Dean Martin Variety Show - his impression of Bette Davis still kills me!).  But no matter what, he will always be our beloved George Bailey.       

Thursday, December 30, 2010

It's a Wonderful Life (1946)

The title says it all.
 
Intro.
It's finally here - my 100th film review.  I've thought a lot about which film I'd write about and finally chose something that is in keeping with the season and happens to be one of my all time favorite movies.  It took me awhile before I first saw It's a Wonderful Life.  During my high school English class, I found out that I was the only student not to have seen this seemingly essential holiday classic.  As a fan of old movies, I felt quite ashamed.  Looking back on it now, however, I think seeing it for the first time just prior to that transition from high school to college really had an influence on what I thought of it.  It also made the movie one of my all time favorites.        

Overview
It's a Wonderful Life opens with the voices of unseen people in a little town called Bedford Falls all praying for help for a man named George Bailey (Jimmy Stewart).  It's Christmas Eve and George is in trouble.  Up in the starry sky, St. Peter assigns angel second class Clarence (Henry Travers) to the case.  First Clarence gets to see George grow up, from the time he saves his little brother from drowning up through his other good deeds and his courtship with Mary Hatch (Donna Reed).  Time and again George gives up his dreams in order to help others.  First he puts off going to college in order to save his family's building and loan business after his father's death.  Then when his brother Harry returns from college to take over the business, George says he doesn't have to since Harry has a great job offer from his father-in-law.  Miserable at being stuck in his family business in the small town, the only thing George can really take comfort in is Mary.  They marry but before they can get away on their honeymoon, there's a run on the banks and on the Bailey Brothers Building and Loan.  George and Mary give away their honeymoon cash in order to keep the place from closing.  As time passes, the couple has four children and fixes up a beautiful house on Sycamore Street.  All the while George struggles to keep the business going and out from under the thumb of local tyrant Mr. Potter (Lionel Barrymore), a bitter old man bent on owning the whole town.  Well, that Christmas Eve, George's Uncle Billy (Thomas Mitchell) goes to the bank to deposit some $8,000 for the Building & Loan.  He accidentally drops the envelope into Mr. Potter's newspaper and all heck breaks loose when he realizes that he's lost it and can't remember where it went.  Mr. Potter, being the perfect movie villain that he is, won't say a word about it.  George tries to find the money too, but after all his efforts, he faces financial ruin, scandal and a possible jail term.  It seems like his whole life has been a failure and the only good he can do is die and leave Mary his life insurance money.  So George finds his way to the bridge over the river and tries to kill himself, only to find Clarence.  He tells Clarence that everything would be better off if he'd never been born.  Clarence in turn accompanies George back to town, where George slowly realizes his wish has been granted - George Bailey never existed.  In his absence, Bedford Falls has turned into the corrupt town of Pottersville, filled with bitter, lonely and angry people.  George goes through the town realizing that his life has in fact made a difference, a much bigger difference than he had thought.  Each person's life touches so many others, Clarence explains, that his absence creates quite a void.  Overcome by what he sees, George discovers that all he needs are the people that he loves and prays to return to his life.  George gets his wish and returns home ecstatic to be alive, even cheerfully greeting the attorney at his house who comes bearing a warrant.  Then a real Christmas miracle happens - Mary comes home with a giant collection basket.  Following her are dozens upon dozens of George's friends, family, and neighbors, each giving what they can to save George.  The overwhelming support saves them all in the end, and Clarence at last earns his wings.               

Highlights
 It's a Wonderful Life has some truly unforgettable characters.  Even if you've never seen the film, you probably know something of the story and the people in it, as it's become such a staple in American culture.  I knew about George Bailey and Clarence long before I had seen the film.  In addition to them there's also the incredible Donna Reed (who makes motherhood look way too easy!), the great Thomas Mitchell, and of course the legendary Lionel Barrymore.  In addition to these great characters, there's also Bert the cop (played by one of my favorite supporting actors, Ward Bond) and Ernie the cab driver (played by Frank Faylen), who would inspire the naming of another unforgettable pair - Bert and Ernie from Sesame Street.  The acting and the relationships between characters is very good and contributes to the feeling that the film is timeless.  There are some outstanding lines from this film as well, ones I'm sure we all know by heart.  For example, the line "every time a bell rings, an angel gets its wings" is from Clarence.  This time as I watched, I was struck by Ma Bailey's line about Mary: "she's the kind of girl who will help you find the answers, George."  Truer words were never spoken, for it is Mary that George sees last in his dream with Clarence and it is Mary who goes around asking for and receiving help that snowy Christmas Eve.  Mary (and through her, their children) is George's lasting dream: the one that means the most to him and the one that has come true.

I also got to thinking that few actors probably could have pulled off the role of George Bailey.  Jimmy Stewart is often called the "everyman" hero of Hollywood, and nothing emphasizes that title better than this film.  I think one of the reasons it remains such a classic is that we can all relate to George Bailey.  His sacrifices are more than admirable, but we can still see his frustration and disappointment throughout his life.  I'm sure we can all relate to some turning points in our own lives.  Over on his blog, Better Living through Beowulf, my former film professor Robin wrote about It's a Wonderful Life and some of the turning points in his grandfather's lifeHe also talks about how dark this movie is, both in filming techniques and in tone.  After you've seen it, it's hard to remember how bleak the film is because the ending far outweighs the sadness.  When I first saw the film, I felt this crushing blow when I saw George Bailey seriously contemplating suicide.  Here is America's everyman hero, a far greater man than anyone we know, hopelessly pushed to the brink of despair.  George's decision to live again is one of the most moving scenes in all the films I've ever seen.  It was so moving that when Capra was filming the first shot of that scene, Jimmy Stewart began sobbing for real.  Instead of forcing Stewart to do a second take to get the close-ups, Capra used enlargements of the original shot.  It gives the film genuine emotion and makes the story hit closer to home. 

I've read a lot about the morality of this film too.  George Bailey is a hero in every sense, always giving of himself and making sacrifices for the sake of his family and the town.  Then this horrible event happens to him and there's no way out (or so he thinks).  I always thought it a bit upsetting that Mr. Potter gets away without punishment.  One review I read suggested that, as the film was made after WWII and both Capra and Stewart had seen much of the war, they both knew that life wasn't always so clearly black and white (pardon the pun!). Looking at it now though, I think Potter does receive punishment.  He's played out his final hand by keeping the misplaced money only to see George Bailey again rise up victorious.  You can't keep a good man, down, Mr. Potter, especially a man like George Bailey.  Potter's envious of the kind of riches that George has, the treasure of family and friends.  In the end, Potter is left alone while George is surrounded by people.  It's appropriate that the film takes place at Christmas too, for it is a time when families and loved ones are supposed to come together and bring light to the darkest and coldest nights of the year.     

Returning to memorable lines from the film, I'm going to end with my favorite, a line that is in a note from Clarence to George: "Remember, no man is a failure who has friends."  I can't tell you how many times that line has comforted me over the years.  I've had those dark moments where everything looked hopeless, but I've been lucky enough to have some very steadfast friends to bring some light back into my life.  I think we all have those times where we look at all the choices we've made and wondered if the path we've chosen was the right one.  I know I'm not alone in having foregone some dreams for one reason or another, and like George we may all feel frustrated and disappointed at times, maybe even hopeless.  But George finally realizes that life isn't about material things or dreams left unfulfilled; it's about the dreams that do become reality and the enduring strength of love and friendship.  His epiphany gives all of us hope. 

Review and Recommendation
I could write a lot more about the details of this film and why it all works together so well to make something so timeless, but I'm getting more emotional and a bit corny as I write, so I think it's best I wrap it up.  If you have yet to watch It's a Wonderful Life, I can't recommend it enough.  There are some films for which a short review just can't do justice, and this is one of them.  To all of my friends and readers out there, thank you for your comments and your support this year as I worked to chronicle my classic movie obsession.  Here's to 2011 and another year of movie memories!

Thursday, December 23, 2010

The Shop Around the Corner (1940)

If you think this is simply the precursor to You've Got Mail, you've got another thing coming!

Intro.
In keeping with my theme of holiday films, I decided to watch The Shop Around the Corner the other day.  My original plan was to watch part of it while I had dinner, then do some chores and then finish it later.  Well, needless to say, those chores never got done because I fell so much in love with the film.  I had vaguely remembered seeing it some time back, but found myself surprised and also deeply moved upon watching it this time around.

Overview 
The opening screen of the movie reads: "This is the story of Matuschek and Company - of Mr. Matuschek and the people who work for him.  It is just around the corner from Andrassy Street - on Balta Street in Budapest, Hungary."  Indeed it is about Mr. Matuschek (Frank Morgan) and his employees in his leather goods shop in the few weeks leading up to Christmas.  His lead salesman is Alfred Kralik (Jimmy Stewart), whom he treats like a son.  There's also the arrogant Mr. Vadas (Joseph Schildkraut), the kindly father and fellow clerk Mr. Pirovitch (Felix Bressart) and delivery boy Pepi (William Tracy).  A woman named Klara Novak (Margaret Sullavan) comes into the shop and despite not being able to support another clerk, Matuschek hires her because she is able to sell a musical cigarette box that Kralik is convinced won't sell.  Klara and Kralik do not hit it off and their rocky relationship continues until Kralik is fired.  During that time, they both reveal (not to each other) that each has been corresponding with an anonymous pen-pal.  In truth, Kralik has fallen in love with this woman who writes to him as "Dear Friend" and Klara thinks her "Dear Friend" is a gentleman far better than Mr. Kralik.  You probably guessed it - they are each other's dear friends.  Kralik realizes it before Klara and tries to patch up their rough work relationship.  That isn't easy because, as I said, he was fired.  Mr. Matuschek believes one of his employees is having an affair with this wife, and only Kralik had ever been to Mr. Matuschek's home.  When the PI confirms that he has proof, a devastated Mr. Matuschek fires Kralik.  When the evidence proves it is in fact a different employee, Mr. Matuschek breaks down and tries to commit suicide, interrupted only by Pepi's late return to the otherwise empty shop.  Kralik gets his job back, even a promotion to store manager, and the only thing left to do is reveal to Klara who her pen pal truly is.

Highlights
So much has already been said about the wonderful chemistry between Jimmy Stewart and Margaret Sullavan, but I have to add a brief comment.  They are absolutely brilliant screen partners and make a great couple whether they are arguing about suitcases or talking about love.  Not only are their characters well rounded, but also well acted.  I love the scene in the cafe when the pen-pals are supposed to meet for the first time, but Kralik realizes that Klara is his date and he can't bring himself to face her.  Instead he takes off his carnation and meets her as if he too is waiting to meet someone and tries to get her opinion on her mysterious pen pal.  It's great! 

I think what really struck me about this film was Matuschek.  That intro. card was right - it really is about him and the people in his shop.  Frank Morgan gives a great performance and his depression then recovery really hits at the heart of this film.  It isn't just about pen pals lovers who unknowingly work (and bicker) together.  It's also about love lost and the toll infidelity takes.  Matuschek's realization that his employees were more family to him and his shop was his home is both sad and  beautiful.  That theme is often repeated in holiday films too; that Christmas in particular is really about the gift of those we love, including "families" of people who aren't actually related.           


I was so excited to see this film appear in the New York Times Critics' Picks section.  There's a wonderful film clip there with reviewer A. O. Scott talking about The Shop Around the Corner.  He mentions that the film takes place in Budapest although none of the actors look Hungarian (and speak English with distinct American accents *I'm looking at you, Jimmy Stewart*).  Scott says that it could be that director Ernst Lubitsch, who was originally from Germany, could have been trying to recapture some of the nostalgia and comfort of the "old country."  I thought about when this film came out and how with all the immigration to America at the turn of the century and into the 1920s, the audience in 1940 probably were from Eastern Europe or were children of immigrants from that area.  It could have been a piece of their family history or they could imagine their parents shopping at a similar store once upon a time.  I'm more than a few generations away, but I also loved that nostalgic, old-world charm, particularly as some of my family came from Czechoslovakia and had similar sounding surnames (at least similar sounding to me anyway).  I'm not sure if WWII played a role in it either, though it's an interesting idea - why didn't they simply change the store to New York or even Bedford Falls? 

The Shop Around the Corner does wax nostalgic and has its share of charm.  I know I've said this before, but I am not a fan of remakes.  Usually the classic films are the ones that really get things right; films today are usually more concerned with what can make the most money in a weekend as opposed to having a great story.  Although I do enjoy some remakes, I think it's always good to go back and see the original, and The Shop Around the Corner is no exception.  It's been remade as In the Good Ole Summertime, Shop, and You've Got Mail.  It has other followers too.  All those Christmas-themed love stories, all those romantic comedies about people hating each other then finding out it's really love after all - they all owe their story lines to The Shop Around the Corner.  It's true that the formula of bickering, misunderstandings and eventual true love isn't new. You could go back at least as far as Pride and Prejudice (and probably even further) and find the same story.  But The Shop Around the Corner was one of the first films to really get it right and make an almost perfect film.

Review and Recommendation
If you haven't yet watched The Shop Around the Corner, add it to your list.  Curl up with some of the people you love and enjoy this great film.  Perfect for the holidays, but just as enjoyable any day of the year, I have a feeling you'll fall in love with Klara and Kralik and all the folks at Matuschek and Company!

Sunday, March 28, 2010

Vivacious Lady (1938)

Intro.
Vivacious Lady was one of those films I hadn't planned on watching, but when I saw it come on television, I was happily surprised.  As a part of a Ginger Rogers marathon, the film emphasized how great she was even without Fred Astaire.  I especially liked Robert Osborne's commentary on the film.  Apparently the film had been delayed several times because RKO had to borrow Jimmy Stewart from his home studio.  And the good rapport between Jimmy and Ginger existed off stage too, as they used to double-date with Henry Fonda and Lucille Ball.  How cool is that?

Overview
Jimmy Stewart plays Peter Morgan, a shy, conservative professor of botany who, on a trip to New York City, meets glamorous nightclub singer Francey (Ginger Rogers).  As he gets to know her, he realizes that she is very down to earth and a perfect match for him.  They fall in love, marry, then take the train back to his home town of Old Sharon.  Peter, afraid that his parents will object to Francey's way of life, suggests that she stay with his cousin, Keith (James Ellison) while he tries to explain the situation to them.  He also has to explain it to Jenny (Phyllis Kennedy), the blue-blooded woman to whom he is engaged (or was engaged!).  A lot of twists and turns prevent Peter from confronting his father with the truth and keeps the couple apart.  The best parts include Francey attending Peter's botany class as an eager new student, an all out fist-fight between Jenny and Francey, and straight-laced Peter drinking a lot of alcohol during his class.  It all ends with a tearful Jenny and her mother-in-law leaving their husbands and then a train-stopping finale.   

Highlights
Robert Osborne said at the film's introduction how difficult it would be to find the right actor to make the role of Peter believable.  If anyone could do it, that person was definitely Jimmy Stewart.  He makes Peter a quiet, somewhat awkward professor without turning him into a bumbling, absent-minded researcher.  Charles Coburn and Beulah Bondi both give good performances as his parents and get almost as many laughs as the main couple.

Ginger Rogers really makes this film.  She is graceful and charming, with a good measure of sass.  She delivers some stunning one liners with perfect comedic timing.  Her performance reminded me of a softer version of her character in Stage Door - sweet and good-natured with a razor sharp wit beneath those blond curls.  Anyone who thinks she's just Fred's dance partner obviously hasn't seen her other films - and definitely should.   

Review
Vivacious Lady is one of those old fashioned romantic comedies where the emphasis was on the comedy.  It's little known, but definitely worth watching to see Ginger Rogers and Jimmy Stewart together.  My only complaint (and it's minor) is that we don't get to see Ginger and Jimmy dance.  That would've made it a 10+.  Anyway, it's a fun, light movie with endearing characters.  You won't be disappointed!